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Infectious
energy and rhythms reminiscent of a Brazilian Carnival
— this is KaZamba.
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The
Brazilian dance and drum troupe KaZamba performs
Tuesday Nov. 12, 2002 at the YWCA Olga Madrid
Center.
KaZamba music director Steve Harris (right)
and other group members perform.
Edward
A. Ornelas/Express-news
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A
dance and drum troupe that promotes samba and Afro
Brazilian music in a family atmosphere, KaZamba formed
this past July.
In
October, KaZamba performed at the YWCA annual meeting.
Strutting across the gymnasium floor, the dancers
pulled board and community members out of their seats
and onto the dance floor.
This
kind of reaction is typical of a KaZamba performance.
Marinella
Murillo is a YWCA board member and volunteer. She
joined KaZamba in July and temporarily slipped away
from the board member table at the annual meeting to
perform with the group.
"It's
a fantastic way to spend time with friends," she
said.
"Brazilian
African music and parade-type music is getting really
popular now. People really get into it," said
KaZamba founder and CEO Robert Ramon. "You'll see
that the music itself, the drums, gets the adrenaline
going and people dancing."
Ramon
and a number of other KaZamba members, including the
five organization board members, had performed
together in another troupe and broke off to form their
own group this summer. Through an acquaintance on the
YWCA board, they found a temporary and welcoming
practice facility in July.
Since
then, KaZamba has hired a new music director, planned
the establishment of a new dance studio and earned a
respectable reputation as one of the premiere dance
performance groups in the city.
Already,
KaZamba has performed in the Floresville Peanut Parade
and the Flatonia CZHILISPIEL Parade and festival,
winning first place at both events. They also were
invited to perform before the Flatonia Chamber of
Commerce.
In
addition, KaZamba performed in this year's San
Antonio's Veterans Day parade and is scheduled to
perform in the Galveston Mardi Gras parade next
February.
"We
are planning on being involved with Fiesta, if at all
possible," Ramon added. He said he hopes that
KaZamba will have 50 to 60 members by Fiesta time.
Almost all of KaZamba's recruitment efforts are
based on the performances themselves.
"As soon as you perform at one place,
people start coming in," Ramon said.
This
grass-roots form of recruiting reflects the major
tenet of KaZamba — that love of the music prevails
over technical skill. Anyone can join KaZamba,
regardless of previous experience, ethnic or cultural
background, sex or age. The youngest member is 4 years
old.
"I'm
dealing with all levels of ability, because we have
that open door," said KaZamba choreographer
Yvette Ramirez. "What it comes down to is working
with the person over and over. I pretty much do
whatever I need to do in order for them to know the
steps."
Ramirez
has taught dance for about 15 years and fell in love
with Brazilian music and dancing when she was 18 or
19. She heard from friends that a local Brazilian
dance troupe was advertising for a choreographer, and
soon she was leading the KaZamba dancers through their
routines.
At
70, Ruby LaRose is the oldest member of KaZamba,
though her enthusiasm might convince an audience
otherwise. "It gives you a lot of pep and energy.
It makes you feel like 22," LaRose said of the
dancing.
Her
son-in-law, Gary Grandstaff, was one of the founders
of KaZamba. When he joined the original dance group,
he was one of the many members who had no previous
experience. "I had never drummed but I had always
wanted to," Grandstaff said.
Terri
Lara started dancing with KaZamba in July, having no
previous formal dance training or experience.
"I saw it in the paper," Lara said.
"I love to dance and I figure that it's something
that I enjoy doing, and I've always wanted to do
parades." Though
her daughter and mother originally were skeptical
about her decision to join the group, now they attend
every performance.
"You'd
be so surprised about how many people are wanting to
do this," Ramirez said.
"We
want to spread the joy and culture, the colors, and
the sights and the sounds," said Steve Harris,
KaZamba music director.
Harris,
a recent addition to the troupe, specializes in ethnic
percussion, including African and Latin music. A
drummer for 40 years, he found kindred spirits in
KaZamba. "I
thought they were very nice people who had the right
spirit to contribute to contemporary ethnic dance and
drumming," he said.
Harris
works for the Institute of Texan Cultures and is
familiar with the value of exploring different
cultures. "We
are supporting ethnic diversity," he said.
When
KaZamba moves into its new West Commerce Street studio
on Dec. 1, the group will begin to focus more on
teaching the music, the instrumentation and the
technique. But they still are intent on promoting the
fun of the activity.
The
group, Ramirez said, wants to deliver both a cultural
and an artistic message.
"We
all are hoping for the best — to branch out to
everyone. We hope for the group to be different in a
sense that we want to bring all cultures into the
dance group, musicwise and dancewise," Ramirez
said. "When
you see people joining in, it's all worthwhile,"
Ramon added.
KaZamba
currently practices at the Olga H. Madrid YWCA 7:30-9
p.m. every Monday and Thursday. Members pay dues of
$25 a month, with discounts for families.
To
join KaZamba or for more information, call (210)
386-3772 or (210) 857-3931, or check out their Web
site at www.kazamba.org.
vdavila@express-news.net
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